Jellies at John G. Shedd Aquarium

Jellies at Shedd Aquarium

Jellies at Shedd Aquarium

See videos on YouTube.

Posted in Blog | Tagged , | Leave a comment

The news seller (1980s)

There’s an old man who sells newspapers from a little shelter downtown. He’s there every weekday during the 5:00 rush hour, shivering in the cold or sweating under the sun. His eyes are sunken; his cheeks are hollow. He looks neither healthy nor happy. Lonely, silent, melancholy.

Half-sitting on the bench on which the newspapers are folded, he used to quietly wait for a passerby to buy a paper. When someone did (and this seemed rare), he would slowly hand him the paper, accept the coin, and quietly say, “Thank you.” But even a sale did not lift the burden from his slightly stooped shoulders, and his sad, withdrawn expression never changed.

Later, he seemed to realise that he had to compete with the more aggressive young newsboys, whose harsh cries of “Final Times—final Tribune” disturbed the already busy air. He too would say, “TribuneTimes,” but his voice was quiet and hesitant like a whisper, as though he did not think his new boldness would boost sales. He seemed to hold some small hope it would.

He is still there, in the same shelter. The same harassed, unhappy executives brush by him. The same gossiping, complaining secretaries still hurry past him. Few stop to buy the paper; fewer still exchange a kind word. None wonder about the old man: his past, his present, his future, his end. As for him, he still looks blankly past the parade passing by; still waits for the few who might purchase a paper.

Still waits.

Copyright © Diane L. Schirf
1980s/date unknown

Posted in Blog | Tagged , | Leave a comment

Top ten reasons Commander Riker walks with his head tilted

From the home office in a dingy basement on Centauri Prime:

Top ten reasons Commander Riker walks with his head tilted

10. He’s keeping an eye on the top window of the bridge just in case a warbird materializes on the z-axis.

9. He’s hoping he’ll be the first to spot a dropped bar of gold-pressed latinum.

8. He lost his favorite marked poker deck.

7. He’s practiced the Kama Sutra on one too many aliens.

6. Wesley keeps telling him, “Whoa, Commander, the horse is out of the barn!”

5. He’s measuring Troi’s cup size.

4. He’s trying to see up Troi’s dress.

3. Worf ripped his head off, and Crusher reattached it.

2. He’s surreptitiously measuring Picard’s captain’s chair.

And the #1 reason Riker walks with his head tilted sideways:

1. He’s trying to make the hair fall out of his head because he heard that only bald guys get to command the Enterprise.

Copyright © Diane L. Schirf
(reposted because someone’s still reading it)

Posted in Blog | Tagged , , | Leave a comment

1951′s Scrooge: A tale for our times?

For people raised on Christmas movies like Scrooged and the live-action The Grinch Who Stole Christmas, or holiday releases like Happy Feet 2Alastair Sim likely isn’t a familiar name or face. The Scottish actor, however, gave one of his best and better-known performances in a classic 1951 film that should appeal to both the Goth/emo generation and the Occupy Wall Street crowd—as Ebenezer Scrooge in Scrooge.

Directed by Brian Desmond Hurst, Scrooge isn’t the simple tale the Charles Dickens story has become in popular culture, with characters who can be played as easily by cartoon mice as by human actors. The world of Sim’s Scrooge is dark, creaky, and grim in the best tradition of  monochrome film, with even a few film noir touches of interspersed light and darkness.

At Christmas, the world of the better-off poor (represented by Bob Cratchett, played by Mervyn Johns) seems bright and merry, dependent as it is on the little they receive from “men of business” like Scrooge. By contrast, Scrooge’s house is a nightmare of cavernous space dominated by dust, disturbing sounds, and impossible shadows. Even his door knocker appears to be possessed—and that’s before Jacob Marley’s face appears on it. If a bad bit of potato or cheese didn’t inspire Scrooge’s ghastly visions, the lonely austerity of his house might.

The story follows the standard plot, but Sim’s performance, those of the supporting characters like the undertaker and the housekeeper, and bright visuals of happier times and places contrasted with the stark reality of poverty and death keep the film moving. Sound is important; when Marley directs Scrooge to look upon the tormented, the music and sound work more effectively on the nerves than the visual. The pointing skeletal finger of the Spirit of Christmas Yet to Come dominates the screen in a horrifying way—Scrooge and the viewer are compelled to look. The most haunting scene, however, is that of “this boy and this girl,” Ignorance and Want, emaciated, sickly urchins with deeply shadowed eyes who look like Death itself.

When most film versions of A Christmas Carol have come out, the huge divide between Victorian capitalists and the workers who supported their wealth seemed like distant history. Today for many, it looks more like history repeating itself. Again.

Posted in Blog | Tagged , | Leave a comment
Quote

Washington Irving on the gift of the poet

On returning to my inn, I could not but reflect on the singular gift of the poet; to be able thus to spread the magic of his mind over the very face of nature; to give to things and places a charm and character not their own, and to turn this “working-day world” into a perfect fairy land. He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart. . . . I had surveyed the landscape through the prism of poetry, which tinged every object with the hues of the rainbow.

Washington Irving, “Stratford-on-Avon”

Posted in Blog | Tagged , , | Leave a comment

Deliverance

From my original diaryland.com journal:

I’m reading A Walk in the Woods by Bill Bryson, and he mentions Clayton, Georgia, and Billy Redden, who appeared in the film adaptation of Deliverance.

I saw Deliverance only a few years ago, when my cousin’s daughter lived in a converted hunting cabin in Pennsylvania. This seemed appropriate a venue from an aesthetic/ambiance viewpoint—somewhat remote (well, in the woods and a bit of an uphill driveway off the road, with a steep hillside looming immediately off the living room picture window, waiting for a hard or a long rain to have an excuse to knock the house down the rest of the hill into the road). Not being a fan of suspenseful or violent movies, I couldn’t comfortably sit through it without closing my eyes, wandering to the kitchen, the bathroom, etc. This fit in perfectly with the ambiance of the occasion—it was over the Christmas holidays, and my cousin, his wife, his daughter, her husband, his hound dog (a beagle), and miscellaneous other furry friends were ambling among all the rooms in the same manner I was, so I didn’t stick out too much like the proverbial sore thumb, well, except for constantly saying, “I can’t take suspenseful or violent movies, so I can’t watch this . . .” Deliverance was in the VCR because my cousin’s son-in-law had gotten it as a gift.

Like many, I was struck by the boy who appeared to play the banjo in the “Dueling Banjos” scene. “Appeared” because not only could he not play the banjo, but he could not be gotten to fake playing the banjo; apparently, there’s another kid’s arm in the sleeve faking the playing. From Christopher Dickey’s Summer of Deliverance: “The face that you don’t forget when you see Deliverance belonged to a backward boy of fifteen named Billy Redden, who had the role of a retarded banjo player. The thin-lidded eyes and simple grin are haunting on film, and they were just as disturbing to see on the set.” A short time later in the movie would appear a woman and child who were equally “disturbing” and underdeveloped. Then there are, of course, the two men who attack the Ned Beatty character.

My gut reaction was to think, “Oh, who would believe this—that this kind of thing existed in 1970s America?” I was a skeptic. I posted my doubts to a mailing list that happened to have a lifelong Georgian on it, and he told me that such people do indeed exist, especially in the northern part of the state, and nothing in the movie was an exaggeration.

I thought back to a young adult book I’d been given years ago named Christy by Catherine Marshall, about a young urban girl, living at perhaps turn of the century or a little after, who is drawn to the Appalachians to serve as a Christian missionary. It’s been years since I read it so I don’t remember details, but Christy is taken aback and unnerved by the poverty, ignorance, and backwardness she sees everywhere. The only person who can really understand her perspective and that of the local people is a Scots doctor who grew up in the area. There is no such thing as sanitation, so typhoid is rampant. When babies are “tetchy,” the mother shakes them as a “cure”—often resulting in the baby’s death. Trepanning is high-tech surgery. There is an otherworldliness to Christy that is difficult to explain, just as there is an otherworldliness that comes across briefly in Deliverance. The awesome beauty of nature populated by people who are little evolved from ancestors hundreds of years ago—and who clearly suffer the result of generations of inbreeding.

I find this otherworldliness, for all its suffering, brutality, and primitivism, strangely haunting and fascinating. My mind, overwhelmed by urban and suburban sprawl, a mushrooming population, media saturation, the Internet, people and technology and information everywhere until I feel a desperate need to escape at any cost, cannot fathom that there are, or were in the 1970s at least, parts of the country where everything I feel crushed by barely exists.

I would love to see northern Georgia today. Somehow, I suspect I would find satellite and cable/digital TV, an onslaught of advertising, and even a computer or two. I would be disappointed.

You see, Deliverance (and Christy) are trips in time, to a past that we no longer remember or care about, when America was covered in forest and young and brutal and backwards. That time is past, but the snapshot may still be there, and that is surely a wonder.

3 March 2002

Posted in Blog | Tagged , , , | Leave a comment

Relics: Mail chute

A couple of years ago in “Please Mr. Postman,” I marked the prolonged passing of the blue mailbox, no longer needed in the age of text messaging, mobile phones, and social media. Before USPS started carting the Chicago boxes off to rust at the central office (where I saw what seemed to be thousands lined up, with nothing to do and nowhere to go), another type of mail collection method had fallen into disuse—the mail chute.

The first mail chute I saw and used was at 200 South Riverside Plaza in Chicago, at my first job. The chute ran down the wall across the hall from the word processing room on the 37th floor. People still used it then, in 1983. Walking past it, I would be startled by the sudden whoosh of an envelope falling down the chute, presumably on its way to a collection box. Sometimes, however, someone would ambitiously stuff, say, a 9″ x 12″ envelope into the chute, which had the same effect as some boxes do in trash chutes—it would “gum up the works,” as my dad might have said.

I don’t recall if the mail chute was still in use when the company relocated to 203 North LaSalle Street in 1986. A contemporary blend of glass, steel, and atrium. this building probably didn’t have anything as quaint as a mail chute.

The Flamingo, which opened in the late 1920s, has a mail chute, although it’s closed off on the floors. I have no idea where it may have ended, as it’s west of the elevators, while the mail collection box in the lobby is on the north wall across from the elevators.

Cutler~Mail~Chute~Co.
Rochester, NY.
Cutler~Mailing~System
Authorized by P.O. Dept.
Installed under the Cutler Patents

Note that it’s not just a mail chute and mail collection box, but a mailing system. Product pretentiousness isn’t a contemporary invention.

Find out more about the history of the Cutler Mail Chute Co. and the mail chute system at the National Postal Museum site and, of course, Wikipedia.

Posted in Blog | Tagged | Leave a comment

Relics: Superman’s changing room

Once upon a time, all Clark Kent had to do to summon his inner Superman was to pop into the nearest telephone booth, tear off his glasses (not in the careful two-handed way recommended by opticians), and rip open his shirt. (His tailor must have made a mint replacing buttons while wondering who were these women so eager to get to the nerdy reporter’s chest.)

Telephone booth? Back up. What’s a telephone booth?

Like many things associated with the traditional telephone, the phone booth is almost only a memory. Aside from Clark Kent/Superman, who needs a phone in the relative privacy of a booth when, with our smart phones, we can chat openly about our hemorrhoid surgery or latest squabble with a friend right on the bus or at our restaurant table? Access to the world is in our pockets.

The last time I used a a phone booth or pay phone was in 1999, when I called a cab after my high school reunion. It was in a decaying shopping center across the road from where I used to live, and quite possibly was the only one for miles around. The last pay phone I recall seeing in Chicago was here where I live. It lasted for a few years after I moved in, but has been removed; it wouldn’t have been worth it to the phone company. I have seen a pay phone recently; it was at Jasper Pulaski Fish and Wildlife Area in Indiana, attached to one of the buildings the attendant told us had been built during the Great Depression. I’m sorry now that I didn’t take a photo or check out the cost of a call, but it did seem to be in good shape. I wonder how much action it gets from the hunters and the visitors to the sandhill cranes, or if it’s even functional.

Mobile communications alone didn’t kill the phone booth or pay phone, although they’re clearly the primary cause of near extinction. In cities like Chicago, they were already on the endangered list, placed there by the activities of neighborhood drug dealers and other criminal types who used them to conduct business. Community members petitioned the city to have these gang and criminal magnets removed.

For fans of the classic films and TV shows, phone booths and pay phones have long been associated with crime. Calls made from phone booths and pay phones could be threats, demands (often for ransom), warnings, information dumps, or pleas for help. The dangling public phone handset became a poignant, then cliched theme. Now, having said that, I can’t think of any examples. I do remember that in Strangers on a Train the Farley Granger character has a fatal conversation with his pregnant, cheating wife on a pay phone.

Other movie characters also flocked to booths and pay phones, including reporters—which could explain Clark Kent’s predilection for them. In a film or radio program, when a big story broke frenzied herds of frantic, aggressive reporters would race to the nearest booth or pay phone to call the story in. Having got the scoop, the lucky ones who got there first could gloat over their unlucky brethren, whose continued employment often depended on being able to get through to the newsroom first.

As I remember them, phone booths and pay phones came in a variety of styles, including indoor and outdoor, full sized or half, fully or partially enclosed, or open (for example, a pay phone stuck on a wall, as at Jasper Pulaski). When I was a child, a local pay phone call was a dime; later it went up to a quarter, then 30 cents, then 50 cents or more. For a toll (long-distance) call, you’d put in so much change for so many minutes. Each time you were running out of time, an operator or, later, an automated voice would tell you to deposit more or hang up. If you didn’t have more change, you’d find yourself cut off abruptly soon after the warning. Those who use their mobile phones for personal chats could learn some of the succinctness imposed by the pay phone.

A pay phone played an important role in my life. My college dormitory had two pay phones off the lounge. Before I got a phone installed in my room, I spent a lot of time in those booths calling my mother collect and pretending not to be homesick. I imagine phone booths and pay phones have absorbed a lot of very interesting and very mundane conversations and history, just like mobile phones today.

For a look at phone booths and pay phones, and some of the holdovers, check out the Payphone Project, featuring the sometimes creepy photography that abandoned human creations can inspire. The Payphone Projects quotes a recent Pittsburgh Tribune-Review story:

The American Public Communications Council, a trade group representing about 800 independent pay phone operators, said about 425,000 pay phones remain in the United States today, down from 2.2 million in 2000.

According to Wikipedia, as of June 2011, there were 327,577,529 mobile phones in use in the U.S. alone—more than there were people.

I suppose Clark Kent has long since found an alternative changing room.

Update: Chris Burdick on facebook:

I thought I was the last non-cell phone person, but a woman just used the pay phone near where I’m sitting. The woman dialed a number, the phone gave off a loud fax machine shriek, and the woman backed away in terror.

Posted in Blog | Tagged | Leave a comment

Sunset at Jasper Pulaski Fish and Wildlife Area

Jasper Pulaski Fish and Wildlife Area, Indiana

Jasper Pulaski Fish and Wildlife Area, Indiana

Posted in Blog | Tagged , | Leave a comment
Quote

Me on Black Friday

During the annual Black Friday shopping event, Americans spend money they don’t have on things they don’t need and that don’t make them happy or at least happier, just poorer and more unsatisfied. Then, like Charlie Brown, they wonder what happened to the spirit of Christmas.

Posted in Blog | Tagged | Leave a comment