Book review: The Return of Martin Guerre
The Return of Martin Guerre by Natalie Zemon Davis. Harvard University Press. Cambridge, Massachusetts. 1983. 176 pages.
In today’s science-based world, where simple DNA tests can help free the innocent on Death Row, the story of Martin Guerre might have ended before it began. Inheritance and money were involved, and then as today we take both very seriously. The risk of exposure is greater now, but at least your life doesn’t depend on guarding against it.
In Davis’s own words, the book is an attempt to go beyond the film, “to dig deeper into the case, to make historical sense of it.” In fewer than 200 pages, Davis takes the reader along an exploratory journey into the past that includes a surprising wealth of lessons about geography, local economies and law, culture, beliefs, and customs and practices. She mixes facts such as what is known about Martin Guerre, his wife, and her family, with the conjecture necessary to build a plausible story.
Why did each player act as he or she did and how? What did each hope to gain (or not lose) and how? How did each manipulate public beliefs and opinions? Davis runs through various scenarios, focusing on the village but also referring to broader, changing political and religious issues where they can help answer the larger questions, for example, about Catholic law on marriage and what it meant at the village level, or how the new Protestantism may have been spreading in Artigat and affected the people and the case.
Although the motivations of the actors can’t be known, for the most part Davis’s conjectures seem plausible against the sketchy context she is able to provide. Like Davis, we can only guess at the emotions that must have wrenched the family members when Martin Guerre left and when he returned (and returned again) — the anger, fear, perplexity, concern, and acrimony that can accompany any unplanned or unwelcome change in a life course that has been accepted, especially when that change affects future status, comfort, and security. The older Martin Guerre’s refusal to lead a “life of quiet desperation” upsets the equilibrium the village and the families have achieved and thwarts his own objectives.
In a conclusion that’s as interesting than Martin Guerre’s case, Davis covers the relevant history of Jean de Coras, an officer of the law who found himself compelled to tell the story from a legal perspective, but can’t quite put his finger on the kind of story it is. Davis’s tale of his origins, life, career and writings (including Arrest Memorable), and own demise nearly overshadows that of Martin Guerre. For Coras, “the outcome was wretched . . . at least it makes it hard to tell the difference between tragedy and comedy.” His end, no less tragic than that of the man on trial, combined with his ambivalence toward the case and his selective account of it, made me wish I’d spent less time on Guerre and more on Coras and his rationalizations and changing sympathies.
The Return of Martin Guerre is a great way for a non-historian to learn about a time that we’d like to think was simpler, but in which a seemingly straightforward case could raise religious, judicial, and even philosophical questions around one village, one family, and one man — and whether he was, and was believed to be, Martin Guerre.
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